Day #177: Crooners Supper Club

Last night, a dear friend treated us to dinner and live music at Crooners Supper Club. We were fortunate to hear Prudence Johnson and Dean Magraw spotlight the music of Stevie Wonder, Mose Allison, and Buffy Saint-Marie. Eclectic, right? Prudence and Dean were both so articulate with their arrangements and interpretations of songs—I found myself holding my breath in order to hear every note.

I am grateful to Mary Tjosvold for creating this incredible, friendly, warm space for musicians and those who listen to and love music. The food is great, the wait staff is top-notch, the three listening rooms are comfortable and cozy, and Mary T is usually there to welcome guests.

And, not least, I am grateful to our friend for understanding how much this evening of music and conversation (before and after, not during) would mean to us. It’s already a treasured memory.

Day #167: Public Radio

In our office and in our home, we listen to public radio much of the day and night. Music provides the calm in our day and the joy in our evenings. I am grateful to MPR (classical in MN), KBEM (jazz in MN), WKHR (vintage jazz in OH), and KNKX (jazz in WA). We believe in public radio and public television. Our thanks to all of the news reporters, classical hosts, and jazz hosts for sharing your passions and knowledge with your listeners!

Day #93: Roxane Orgill

Some books have a vivid place in my thoughts. When I read Dream Lucky, I time-traveled to 1936, meeting the Big Band leaders who are a part of my personal soundtrack. The subtitle for the book is “When FDR was in the White House, Count Basie was on the radio, and everyone wore a hat…”

Here’s the official blurb: The time: 1936-1938. The mood: Hopeful. It wasn’t wartime, not yet. The music: The incomparable Count Basie and Benny Goodman, among others. The setting: Living rooms across America and, most of all, New York City.

Dream Lucky covers politics, race, religion, arts, and sports, but the central focus is the period’s soundtrack—specifically big band jazz—and the big-hearted piano player William “Count” Basie. His ascent is the narrative thread of the book—how he made it and what made his music different from the rest. But many other stories weave in and out: Amelia Earhart pursues her dream of flying “around the world at its waistline.” Adam Clayton Powell, Jr., stages a boycott on 125th Street. And Mae West shocks radio listeners as a naked Eve tempting the snake.

I admire Roxane Orgill as a writer, researcher, and weaver of history. This book is storytelling magic, and it’s all true! Her picture book, Jazz Day, is astounding as a melding of verbal poetry, visual poetry, and real people. Her writing is so evocative that I feel certain I lived alongside those people, stood in their locations, and had that awareness of what was happening around me. I am grateful for Roxane’s skill in crafting books that aid my understanding of the world. I’m going to read Dream Lucky again this weekend.